This Disney cartoon attained household immortality for coming free with my father's late-40's purchase of a Bell and Howell 8mm projector. Beyond home movies, it was all we had to watch until first Castle reels I purchased in 1964. Sampler footage amounted not to the entire short, but a half-in highlight of Pluto coping with errant flypaper, a segment committed to child's memory that I was happyto relive after reading in Michael Barrier'sHollywood Cartoonsthat it was a big advance on characterization in WD's output. The difference, it seems, was Pluto's facial response to sticky menace the fly sheets pose, his expression changed from frustration to reassurance and back again. A deft animator named Norman Ferguson was responsible for the leap, and so made a specialty of Pluto fromhere. Disney progress was such that no onecould touch him through a 30's rise, part of that due to Walt's continual upgrades on technique and training he oversaw/arranged. Pluto was the first cartoon dog to traffic in complexity, being a drawn successor to Rin-Tin-Tin, Strongheart, and others, only minus their innate heroism.
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